Walter Scott Prize for Historical Fiction
National Book Awards Crime Book of the Year
CWA Historical Dagger
Heartsone is C. J. Sansom's fifith spellbinding mystery in the Shardlake series.
Summer, 1545. England is at war. Henry VIII's invasion of France has gone badly wrong, and a massive French fleet is preparing to sail across the Channel. As the English fleet gathers at Portsmouth, the country raises the largest militia army it has ever seen. The King has debased the currency to pay for the war, and England is in the grip of soaring inflation and economic crisis.
Meanwhile Matthew Shardlake is given an intriguing legal case by an old servant of Queen Catherine Parr. Asked to investigate claims of "monstrous wrongs" committed against a young ward of the court, which have already involved one mysterious death, Shardlake and his assistant Barak journey to Portsmouth.
Once arrived, Shardlake and Barak find themselves in a city preparing to become a war zone; and Shardlake takes the opportunity to also investigate the mysterious past of Ellen Fettiplace, a young woman incarcerated in the Bedlam. The emerging mysteries around the young ward, and the events that destroyed Ellen's family nineteen years before, involve Shardlake in reunions both with an old friend and an old enemy close to the throne. Events will converge on board one of the King's great warships, primed for battle in Portsmouth harbour . . .
Continue the gripping historical series with Lamentation and Tombland.
In the media
A virtuoso twisting together of Tudor history and murder mystery that bristles with skulduggery, suspicious behaviour and sinister deaths.
Sunday Times Culture
Fans will need no introduction to Matthew Shardlake, the lawyer embroiled in dark secrets during the reign of Henry VIII. Newcomers can discover why Sansom’s Tudor mysteries exert such a pull.
The best novel in this richly entertaining series . . . History never seemed so real.
New York Times
In my review of the previous Shardlake novel, Revelation, in these pages I described it as the best yet. Well, Heartstone is better . . . Sansom is now so settled in his milieu and at home with his characters that the story canters along effortlessly, while Tudor England is recreated with such attention to detail the reader feels propelled back in time.