Tudor England is brought vividly to life in Tombland, the seventh novel in C. J. Sansom's number one bestselling Shardlake series.
Summer, 1549. Two years after the death of Henry VIII, England is sliding into chaos . . .
The nominal king, Edward VI, is eleven years old. His uncle Edward Seymour, Duke of Somerset, rules as Protector. The destruction of the old religion by radical Protestants is stirring discontent among the populace while the Protector’s prolonged war with Scotland is proving a disastrous failure and threatens to involve France. Worst of all, the economy is in collapse, inflation rages and rebellion is stirring among the peasantry.
Since the old King’s death, Matthew Shardlake has been working as a lawyer in the service of Henry’s younger daughter, the Lady Elizabeth. The gruesome murder of Edith Boleyn, the wife of John Boleyn – a distant Norfolk relation of Elizabeth's mother – which could have political implications for Elizabeth, brings Shardlake and his assistant Nicholas Overton to the summer assizes at Norwich. There they are reunited with Shardlake’s former assistant Jack Barak. The three find layers of mystery and danger surrounding Edith's death, as a second murder is committed.
And then East Anglia explodes, as peasant rebellion breaks out across the country. The yeoman Robert Kett leads a force of thousands in overthrowing the landlords and establishing a vast camp outside Norwich. Soon the rebels have taken over the city.
Barak throws in his lot with the rebels; Nicholas, opposed to them, becomes a prisoner in Norwich Castle; while Shardlake has to decide where his ultimate loyalties lie, as government forces in London prepare to march north and destroy the rebels. Meanwhile he discovers that the murder of Edith Boleyn may have connections reaching into both the heart of the rebel camp and of the Norfolk gentry . . .
Includes an Historical Essay from the author on Reimagining Kett's Rebellion.
The previous books in the bestselling historical crime series are Dissolution, Dark Fire, Sovereign, Revelation, Heartstone and Lamentation.
In the media
Tudor England of 1549 is effortlessly evoked. The murder mystery absorbs, the characters are vivid and the history is seductive, but it's the author's inclusive humanity that lingers
Elizabeth Buchan Daily Mail
Tudor terror tingles through C. J. Sansom's murder mystery novels . . . With remarkable expertise, sustained over more than 850 pages, Sansom weaves together a wide cast of characters and knits his murder story into a vivid tapestry of little-known historical happenings
Peter Kemp Sunday Times
Sansom handles his huge cast with aplomb. This is a totally immersive and vividly written tale: compelling reading for history lovers and crime aficionados alike
Laura Wilson Guardian
Sansom has the trick of writing an enthralling narrative. Like Hilary Mantel, he produces densely textured historical novels that absorb their readers in another time
Andrew Taylor Spectator