Linda Porter

See more book details



According to the great diarist, John Evelyn, Charles II was ‘addicted to women’, and throughout his long reign a great many succumbed to his charms. Clever, urbane and handsome, Charles presided over a hedonistic court, in which licence and licentiousness prevailed.

Mistresses is the story of the women who shared Charles’s bed, each of whom wielded influence on both the politics and cultural life of the country. From the young king-in-exile’s first mistress and mother to his first child, Lucy Walter, to the promiscuous and ill-tempered courtier, Barbara Villiers. From Frances Teresa Stuart, ‘the prettiest girl in the world’ to history’s most famous orange-seller, ‘pretty, witty’ Nell Gwynn and to her fellow-actress, Moll Davis, who bore the last of the king’s fifteen illegitimate children. From Louise de Kéroualle, the French aristocrat – and spy for Louis XIV – to the sexually ambiguous Hortense Mancini. Here, too, is the forlorn and humiliated Queen Catherine, the Portuguese princess who was Charles’s childless queen.

Drawing on a wide variety of original sources, including material in private archives, Linda Porter paints a vivid picture of these women and of Restoration England, an era that was both glamorous and sordid.

In the media
In telling the story of Charles's mistresses, Porter skillfully interweaves the politics with the passion . . . an enlightening read.

Tracy Borman The Sunday Times

The lives of these seven women make a terrific story and Porter tells it well.

Andrew Taylor The Times

Takes a fresh look at Charles' reign through the many women who shared his bed . . . an interesting approach: after all, we all know that rulers act out of personal satisfaction as much as political sense.

The Herald

A stunning romp through the sexual court politics of the Restoration! Linda Porter's pacy book offers a balanced and revealing account of the mistresses of Charles II, and of his long-suffering wife. It's a vivid historical page-turner with the enigmatic figure of the King at its core, in turns funny, tragic and eye-popping, and a seamless blend of state affairs and scandal. Linda Porter's grasp of the period is masterful.

Alison Weir