It is Edinburgh, 1822, and young Robbie is eight years old when he witnesses his mother's pain and subsequent death from an operation - without anaesthetic - to remove a tumour from her breast at the hands of Dr Knox. Haunted by this terrible event, Robbie, his hapless father and baby sister Essie attempt to move on with their lives. But when Robbie's father loses all their money and disappears, Robbie is left to look after himself and his sister in the Edinburgh slums. Somehow he falls in with Burke and Hare, the two men whom Knox employs to 'collect' bodies for medical research. Robbie sees a way to avenge his mother's death. Convincing himself that Knox is having people killed for him to experiment on, Robbie eventually confronts him. But Robbie comes to realise that for all his hard-heartedness and corrupt methods, Knox's motives are ultimately for the good: to improve surgical conditions, and operate on patients with the greatest speed and therefore minimum risk. Robbie eventually trains to be a surgeon, finally giving meaning to his mother's tragic death.
A dark and moving thriller set in 19th century Edinburgh ... Morgan's vivid portrayal of Edinburgh's Old Town, steeped in poverty, corruption and disease has a Dickensian lucidity, which lifts this novel out of the ordinary. The struggles of a young boy caring for his sister, coupled with the ethical and moral dilemmas facing the early surgical pioneers, make this a powerful and unforgettable story.
Morgan -- in only her second novel -- could already be fairly compared to the late, greatly missed Leon Garfield
Fleshmarket more than lives up to its evocative name and stylish jacket ... Morgan raises surprisingly contemporary issues about medical ethics through her rip-roaring plot with it's mix of real and imagined characters. It's a tour de force, the kind of novel that simply will not let you go
The Sunday Herald