Widows

Lynda La Plante

14 June 2018
9781785763328
448 pages

Synopsis

The groundbreaking thriller from the Queen of Crime Drama, Lynda La Plante, and the basis for Steve McQueen's critically acclaimed motion picture. WIDOWS is a fast-paced heist thriller with an all-female cast you won't forget.
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Facing life alone, they turned to crime together


A security van heist goes disastrously wrong and three women are left widowed.

When Dolly Rawlins discovers her gang boss husband's plans for the failed hijack, an idea starts to form . . .

Could she and the other wives finish the job their husbands started?

As the women rehearse the raid, it becomes clear that someone else must have been involved.

But only three bodies were found in the wreckage.

Who was the fourth man?

And where is he now?

'The perfect summer read' My Weekly
This tale of female empowerment, evolution, and enrichment...provides more than enough thrills and plot twists to satisfy any crime novel enthusiast
Packed with high-tension, fast-paced action, an unforgettable cast of characters, plenty of twists and turns, and La Plante's dark and satirical brand of northern humour, this is crime fiction and excitingly visual storytelling at its best...just when you think you have the dénouement sussed, La Plante delivers a brilliant coup-de-grace in the shape of a gobsmacking twist in the tail. With nostalgia for older readers, and a voyage of discovery for the younger generation, Widows is an exciting summer crime read with a feisty feminist flavour!
With the benefit of hindsight, La Plante was ahead of her time. The idea of a group of women, housewives, living very ordinary lives becoming a heist team was wholly original. Widows has strong social themes about grief (Dolly ironing her dead husband's shirts) and how life goes on after the death of loved ones. Basically showing how women are every bit as determined, fierce and clever as men... Maybe this novel attracted a lot of non-crime readers to the form long before the psychodrama became popular. La Plante wasn't the first crime writing woman to champion the cause of real women in the genre but she gave it a shot in the arm