Children of Virtue and Vengeance
Children of Virtue and Vengeance is the breathtaking sequel to Tomi Adeyemi's ground-breaking West African-inspired fantasy Children of Blood and Bone.
After battling the impossible, Zélie and Amari have finally succeeded in bringing magic back to the land of Orïsha. But the ritual was more powerful than they could've imagined, reigniting the powers of not only the maji, but of nobles with magic ancestry, too.
Now, Zélie struggles to unite the maji in an Orïsha where the enemy is just as powerful as they are. But with civil war looming on the horizon, Zélie finds herself at a breaking point: she must discover a way to bring the kingdom together or watch as Orïsha tears itself apart.
In the media
Black Girl Magic indeed! It's no surprise that this epic trilogy opener has already been optioned for film. Full of cinematic action sequences (the most memorable of them set underwater and employing an army of the dead) and creatures worthy of Star Wars (horse-sized 'lionaires' have saber teeth and horns), it storms the boundaries of imagination. Yet it also confronts the conscience. Adeyemi's brutally depicted war between the noble, lighter-skinned kosidans, and the enslaved, darker-skinned majis poses thought-provoking questions about race, class, and authority that hold up a warning mirror to our sharply divided society.
The New York Times, on Children of Blood and Bone
Infused with rich mythology of west Africa, Adeyemi’s lush world-building and consummate plotting breathes new life into a YA fantasy epic. Themes of oppression and racism resonate all too strongly in today’s political climate. The cliffhanger ending may leave some readers reeling but, rest assured, this is first in a trilogy.
Observer, on Children of Blood and Bone
Epic fantasy YA debut of magic and war.
Guardian, on Children of Blood and Bone
Tomi Adeyemi has created a lush, vibrant world, full of legend and lore, more than enough to sate even the most ravenous fantasy fan. She deserves special commendation for steering away from the creatures so often shoe-horned into fantasy novels, and instead creating her own magical beasts, who fit seamlessly into the narrative. There are swoony moments, shocking moments, terrifying moments, and heartbreaking moments. It's a masterful debut, and one many readers will adore.
Melinda Salisbury, author Sin Eater’s Daughter on Children of Blood and Bone