
Synopsis
Annie Freudās award-winning first collection, The Best Man That Ever Was, introduced readers to a remarkably versatile new voice; The Mirabelles delivers a similarly exhilarating cornucopia ā the Mask of Temporary Madness, Marc Almond, mini-novels a sonnet long, Carottes Vichy, and the most gripping account of a billiard game youāll ever read. However, in a new sequence derived from family letters, Freud has invented almost a new kind of writing: neither āfoundā nor āmadeā in the conventional sense, these poems are profoundly moving, and startling in their boldly unfashionable lack of irony.
Elsewhere The Mirabelles is full of the world-stuff ā the clothes and food, the art and social intrigues ā with which we dress and conceal our deeper emotions and appetites. In the end, this is a book about reality and its representations, and the truth and lies we tell about ourselves.























