
Synopsis
The preoccupations of Sean OāBrienās work have for many of us become newly pressing: the recurrence of history, the shadow of war, the precariousness of a peacetime that can no longer be taken for granted.
The Bonfire Party, Forward Prize winner Sean OāBrienās twelfth poetry collection, takes its title from Eric Raviliousās 1930s painting, where some revellers watch the flames, while others feed them or run towards them, in a scene of āmythic Englishnessā. In these poems, the long view afforded by experience results in a truer representation of our predicament and a regretful understanding of human culpability.
Just as times and places flow together to create a shifting, at times visionary perspective, so too do the presences of those we have lost, ālove and death consorting as they mustā. In a central sequence ā a departure for OāBrien ā he writes into the rich imaginative climate of George Simenonās Maigret novels. These poems, both āhomage and transpositionā, effect a poetic communion of sorts with the physical world and moral atmospheres encountered by the inscrutable detective and his creator.
The working of the imagination itself has become OāBrienās true subject, where the fact of the world and the imagined order of literature and art begin to merge.
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Reviews
The greatest pleasure, whatever he chooses to write about, is OāBrienās unforced gift, the ease of the writing, the phrases that seem to roll off his pen




























