Whatever Happened to the C86 Kids?

Nige Tassell

25 May 2023
9781788705608
352 pages

Synopsis

'You will love this book.' - RICHARD OSMAN

Shortlisted for the Penderyn Music Book Prize
A Rough Trade Book of the Year
A Resident Book of the Year
A Monorail Book of the Year
A Virgin Radio Book of the Year

In 1986, the NME released a cassette that would shape music for years to come. A collection of twenty-two independently signed guitar-based bands, C86 was the sound and ethos that defined a generation. It was also arguably the point at which 'indie' was born.

But what happened next to all those musical dreamers?

Some of the bands, like Primal Scream, went on to achieve global stardom; others, such as Half Man Half Biscuit and The Wedding Present, cultivated lifelong fanbases that still sustain their careers today. Then there were the rest - the ones who endured general indifference from the record-buying public and ultimately returned to civvy street.

Now, thirty-five years on, journalist Nige Tassell tracks down the class of C86, unearthing members of all twenty-two bands and sharing the stories, both tragic and uplifting, of these long-lost musicians.

Told with warmth, compassion and humour, this is a very human account of ambition, hope, varying degrees of talent and what happens after you give up on music - or, more accurately, after music gives up on you. It's a world populated by bike-shop owners, dance-music producers, record-store proprietors, ornithologists, driving instructors, solicitors, caricaturists and possibly even an Olympic sailor. And let's not forget the musician-turned-actor gainfully employed as Jeremy Irons' body double...

More than simply the tale of the tape, Whatever Happened to the C86 Kids? is an exploration of C86's wide-reaching and often surprising legacy.
'You will love this book.'
'Twenty-two tales of youthful anger, innocence and indolence, filtered through almost forty years of regret, melancholy and, occasionally, dogged resistance. Nige Tassell succinctly and sweetly conjures up an era when groups could form in Glossop, Hebden Bridge or Whitstable and - for a few months, at least - become national heroes via the patronage of John Peel and the weekly music press. He spins gold from their grab-bag of agendas, musical politics and effects pedals and creates something that is frequently more impressive, entertaining and enjoyable than the music itself.'
'This is a funny, sad, gorgeous and beautifully researched book about the most influential loser tribe in the history of British music.'