
Synopsis
SHORTLISTED FOR THE T.S. ELIOT PRIZE FOR POETRY
POETRY BOOK SOCIETY CHOICE
āI became fatherless at 26 and a father
at 35 and whenever I look out
the living room window I feel myself
become the child left alone in the houseā
Centred around two lyric poems on imminent fatherhood and the birth of a child, Signs, Music is a book about masculinity, fatherhood, and love. The speaker, looking backwards to his late father and forwards to his new son, prepares to become a parent for the first time. Meditating on the cognitive and emotional dissonances between the āhypotheticalā and the ārealā of becoming a father, this irreversible transition causes the poetās ālines [to] lead towards my father (again!)ā.
Charting the ways parenthood disrupts the poetās sense of self, and how the pain of the past triggers fears of āfatherly failureā, Signs, Music is a staggeringly profound collection from one of Britainās most adept poets writing today.
'This is transformative writing creating a new cultural landscape. Antrobus makes us hear between the lines through poems well-crafted with emotional intelligence' ā Linton Kwesi Johnson, Mark Oakley and Clare Shaw, judges of the 2018 Ted Hughes Prize.
Details
Reviews
Antrobus captures ordinary life with an episodic, unconstrained energy
Tender . . . an unflinching and impactful look at the emotoinal dissonances of new parenthood
Itās hard to explain how much parenting can change a person, but Antrobus succeeds . . . Here is a beautiful mapping of a journey of this life that becomes this life in all of its anaphoric radiance. Each letter in these poems is bursting at the seams.
Unlike any poetry about becoming a father I've read . . . This is a book of slow seeing which achieves a level of genuine intimacy





















